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| Voices from S-21:
Terror and History in Pol Pot's Secret Prison by David Chandler: David
Chandler's "Voices from S-21: Terror and History in Pol Pot's Secret Prison"
is a good book for a novice like me. Chandler starts by framing the book around
the S-21 institution and its configuration. Chandler then dedicates and entire
portion to the memoirs of the purges; the allegation santebal leveled at prisoners;
and the various approaches of "politics" and "torture." The
book concludes with short commentary of the "why" of S-21. Chandler's
"Voices from S-21" is effectively a detailed history of the inner workings
of the Khmer Rouge's secret police. Known as "santebal", and working
out of a prison complex called S-21, the Khmer Rouge killed, tortured and interrogated
"enemies" of the Democratic Kampuchea (DK). Due to the secretive nature
of the Khmer Rouge, S-21 was "the place where people went in but never came
out" (p. 7) - and this is an important issue to consider. Between the
years of 1975 and 1979, it is estimated that 14,000 prisoners (p. 36) entered
S-21, but only four survived. The horrors of S-21 were uncovered during the liberation
by the Vietnamese who found the prison's ghastly remains. Chandler used the S-21
record which were microfilmed by Cornell University in the early 1990s and synthesized
the archive to produce this book. Because Chandler uses this technique the work
is arguably incomplete, and it is my opinion, that in a lot of places it is largely
speculative. Prisoner statements were extracted under torture, and other written
records are tainted with party ideology or just laziness on the part of the recorders.
Chandler, to his credit is writes that as Aristotle pointed out "more than
two thousand years ago, confessions that flow from torture often bear little relation
to the truth." (p. 128) Moreover, I admire Chandler for his creative use
in including noted French philosopher Michel Foucault in his analysis but I am
doubtful of both his interpretation and use of the same. On page 134, Chandler
tries to fuse Foucault's notion of the "vengeance of the sovereign"
into an almost Nazi like aura by describing the efficiency of the Khmer Rouge.
Chandler pointed out earlier that the need for secrecy was an issue (p.17) but
Foucault's notion of the "vengeance of the sovereign" is one of public
display and notice - forming a contradiction to Chandler's initial observation/conclusion.
Several notable issues regarding the book come to mind regarding his methodology.
Chandler's creative use of Kundera/Kafka and the "establishment of guilt"
is a very effective metaphor. Mind you, I am no expert in Cambodian history or
the Khmer Rouge but when Chandler juxtaposes Kafka with S-21, you get the sense
that one is guilty because he/she is arrested and not arrested because he/she
is guilty much like Joseph K in "The Trial." Another issue that came
home for me was the notion that after a while everyone was under suspicion. Folks
like Son Sen who was trusted to watch over the "Eastern Zone" was later
on suspected of treason. If it were not for the Vietnamese, he too may have ended
up in S-21. (p.74-75) Lastly, is you have visited the work camp in Terezin in
the Czech Republic, you will get a sense that most people who are incarcerated
like this die less from torture but more from the atrocious conditions. Mind you,
I am neither playing down the tortures, simply stating that the camp conditions
were part of the horror as Chandler is good enough to point out. Probably
the most informative portion of the book is the detail relating to the "interrogations."
What amazes me is that Chandler, despite his extensive bibliography fails to refer
to Franz Fanon. Fanon's studies regarding the gendarme in Algeria could have shed
light into many of Chandler's questions. Chandler adeptly coaxes his sources to
illustrate the hopes and frustrations of prisoners and their interrogators. It
can be argued that the most problematic portion of "Voices from S-21"
is the concluding chapter. Here Chandler tries to set the horrors of S-21 in the
milieu of other butchery of events like the Holocaust. Chandler brings up the
Zimbardo and Milgram experiments (p. 147-148), but to make analogy with the Holocaust
without referring back to it is impossible to do. Anyone who visits Toul Sleng
museum will undoubtedly be moved by the degree and scale of atrocities committed
in this secret torture center during the Khmer Rouge regime in Cambodia. I recommend
this book highly but it needs to be framed better for the reader by looking for
something that sets the tone regarding Cambodia, Pol Pot and the Khmer Rouge.
For the background, it might be wise to start with Brother Number One: A Political
Biography of Pol Pot (1992) (also available on Amazon.com) but for a psychology
of horror - this book is second to none. |
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| The Killing Fields
DVD ~ Sam Waterston: "The Killing
Fields" is about relationships. Roland Joffe is hooked on that little picture
within big picture "thing." Truth is, the Joffe/Puttnam duo did in "The
Mission" (also available on Amazon.com) and they are doing it here. The real
locus of his (and Puttnam's) movies is to explore the interchange between two
characters within this epic backdrop. In this case it was the Cambodian civilians.
What that does is set a two hour melodrama within a historical context and does
not explore the latter with any depth. Joffe really loves to take creative license
with all his wonderful scenery -- in "The Mission" it was the Iguaca
Falls, in this movie it is Angkor Wat. After having read David Chandler's
"Voices from S-21" I got the sense that the killing was done in a more
systematic fashion. The movie makes the Khmer Rouge look like a bunch of uncontrolled
thugs. It looses the sense of institutional terror a film like "Schindler's
List" works very hard and very successfully to portray. Chandler takes great
pains to compare the Killing Fields to the Nazi Concentration Camps. He fails
as much there as Joffe, et al. do here with "The Killing Fields."
So what is it guys? Is it the secret killing of S-21, the rampage of "The
Killing Fields" or a combination of both? For someone trying to get a handle
on the horrors, the causes and the rebuilding of Cambodia, where is one to turn?
Nonetheless, for all criticism I throw at this movie, I still feel it is a good
one. The action flows really well. The scenes are exquisitely designed and managed.
The acting superb and certainly the directing wonderful -- as a history lesson,
maybe Joffe takes lessons from Oliver Stone (or vice versa). I was stunned, outraged,
and confused but loved it. | Kindly
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